Blog at Howard's Bend
Keeping Track of the Texas
Pulse
in Film and Visual Media

Dr. Diane Howard
Personal/Professional Mission-
People's Positive Potential and
Productivity
Texas Film Commission
Hotline
UMHB Film Program
MAY 9, 2008: SCREENS
Film News
BY JOE O'CONNELL
Rodriguez Tries On 'Shorts,' Aims for
Space
...Robert Rodriguez is getting busy again
with production... on Shorts from Warner Bros. and independent studio Media
Rights Capital,
which describes the family film as about what happens when "a mysterious object
that falls into the hands of a group of misfit kids and their
dysfunctional families who unleash its powers on an unsuspecting community,
setting off a series of mythical misadventures...
Villa Muse has officially thrown in the
towel. In a statement released on May 5, CEO Jay Podolnick stated
that his proposed studio complex "is committed to breaking ground somewhere in
Texas this year"
– just not in Austin...
South by Southwest's fifth SXSWclick is
seeking your digital shorts; winners in five categories will be screened at SXSW
next March.
More info is at www.sxswclick.com... May 15 is the first deadline for the Austin
Film Festival's screenplay/teleplay competition.
More at
www.austinfilmfestival.com...
Reel Women again is the local sponsor of
the 48 Hour Film Project, in which teams write, shoot, and edit a short film
over the June 20 weekend.
More at www.48hourfilm.com/austin...
4/3/08
FRIDAY NIGHT' RENEWED The good news, according to NBC entertainment chief Ben
Silverman,
is that the Austin-based drama series "Friday Night Lights" has been renewed for
a third season.
But NBC is holding the high school football drama until midseason,
adding it to the schedule in February, following the Super Bowl. It
will air at 8 p.m. Fridays.
Subscribers to DirectTV, however, can see the 13 new episodes four
months sooner, thanks to a production deal that includes exclusive
first-run on the satellite service. DirectTV will debut "Friday Night
Lights" on Oct. 1.
But late is better than not at all, so we can look forward to seeing
all our favorite cast members lined up for coffee at Jo's on South
Congress Avenue in a couple of months when they return.
— Diane Holloway
from the Statesman...Wednesday, February 13, 2008
*Pitt, Penn to film in Smithville*
...the location manager of "Tree of Life," the *Terrence
Malick* project
starring *Brad Pitt* and *Sean Penn*,
addressed the Smithville City Council on Tuesday to talk about
filming there, beginning in late March. The shoot will last
approximately three months, the film's John Patterson said.
"Security is going to be a big issue" with the film company, said
Smithville City Manager *Tex Middlebrook*, who added that producers have
met with the Police Department several times. Many of the cast and crew
members for the film, a 1950s period piece, have rented houses in
Smithville, a town of about 4,000 people 45 miles east of Austin.
— Michael Corcoran
BY JOE O'CONNELL
1/31/08
... MovieMaker magazine has proclaimed Austin the best place
to
"live, work and make movies,"
...MovieMaker ranked Austin No. 1 for the first time since 2004, citing
statewide cooperation that resulted in the
new film-incentives program, a strong crew base, great film-education
opportunities, hot film festivals, and plain old enthusiasm. ...The latest
fallout from the Sundance Film Festival... Austin's hottest cinematographer, P.J.
Raval,
saw his camerawork honored as Hurricane Katrina doc Trouble the Water was feted
as best documentary
by the grand jury...
Shauna Cross' dreams: a book, a Page, a Barrymore
... Cross sold her young-adult novel, Derby Girl, on the basis of a few
chapters; then she sold Drew Barrymore's
production company on a film adaptation called Whip It! that is expected
to film hereabouts this summer with Juno's Ellen Page in the cast and
Barrymore directing. Austin native Cross ended up writing the book and
the script simultaneously, and both are love letters to her hometown and
Roller Derby... She hints that a very exciting cast will join Page in the film,
which is set in both Austin and a semifictional small town whose claim to fame
is ice cream.
1/20/08
Please congratulate Will Johnson with me for landing a roll in the movie
Will.
Last year he was cast in the movie Sno Cone and in television’s Friday
Night Lights in Austin.
Will graduated last Dec. as a UMHB Performance Studies Major and Theater Minor.
He evidently auditioned for Will as he was on his way back to Disney
World to continue performing
as a Character Performer, as he had done as an intern, and had planned to
audition for Equity Projects as
a professional performer. As he was headed to Orlando, he was called back to
Austin for a few days of filming the movie.
Tara Flemly, UMHB Performance Studies/Theater/Business grad., is Will’s agent in
Austin.
See Tara’s agency Web site and Will’s resume at
http://www.tcoettalent.com/.
You will also see on her site that she is my
agent. She has represented our UMHB theater instructors Mr. Michael Fox and
Mr. Eric Shepard. Further, she has represented Performance Studies Alumni, such
as Marianna Lugo and Margo Delagarza.
She has also represented my husband, Dr. Dave Howard. See other UMHB film
talent,
http://dianehoward.com/talent_students_alumni.htm
Tara Felmly and Deann Graham, Busines/Computer Graphics grad.
from UMHB who is now teaching at TSTD, are
supervising our spring film productions of CRU films.
See http://dianehoward.com/Spring_08_Film_Projects_Performance_Studies_Calendar.htm
If you participate in the Spring Cru Film Projects, you will
learn how to put together a headshot/resume and how
to audition or secure an agent as talent. You will also learn how to put
together a film crew resume, how to serve on a film
crew, and how to find jobs on films.
Sincerely, Dr. Diane Howard
Below are related up-to-date excerpts from the Austin
Chronicle’s Film News.
Film News, 1/17/08
BY JOE O'CONNELL
Setting up shop at Austin Studios for a February shoot is Walden Media's
Will, a coming-of-age "dramedy" featuring both Vanessa Hudgens of High
School Musical fame and Alyson Michalka of pop-singing sistahs Aly and AJ….
According to The Hollywood Reporter, the plot is about "a high school
outcast and a
popular girl who form an unlikely bond through their shared love of
music. They assemble a like-minded crew of misfits and form a rock group
to perform in a battle of the bands competition at their school…
Bob Hudgins, director of the Texas Film Commission, says Will was
written with New Jersey in mind. How did it end up in Austin? My
educated guess is that last year's passage of a $20 million filming
incentives program helped…. As of Jan. 9, 98
projects
that were completed in 2007 have applied for an incentives grant. Of
those, 65 met the requirements. Those 98 projects are estimated to have
brought to Texas 12,755 jobs and more than $90 million in in-state
spending, according to Texas Film Commission figures. The second project
likely to receive a payment? A series of interstitials, short scenes
meant to air between shows on the Disney Channel. Close to 50 of them
were shot in Texas, Hudgins says, including 15 in the hallways of Del
Valle High School. Hudgins believes Disney was testing the Texas
incentives program for viability with its future shoots.
... Javier Chapa and Laura
Perez's film Harvest of Redemption, which was shot
on the Texas-Mexico border with a
cast and crew of Austinites, is now available at Blockbuster... Look for
the series of short films created through the American Trustees Project,
a statewide program from the Annette Strauss Institute for Civic
Participation at the University of Texas at Austin, to show up on the
KLRU series Docubloggers. The UT program won a Chris Award from the
Columbus International Film and Video Festival for its series of short
documentaries aimed at helping young people become better citizens. Also
honored was UT professor Nancy Schiesari, who directed and produced the series.
10/03/07
Always be careful in working with talent and casting agencies. Don't give money or credit card
numbers up-front.
Do not pay to meet, read, or
audition. If you believe that you have been the victim of a scam,
you can
file a complaint online with the Federal Trade Commission at www.ftc.gov/.
The State Attorney General should also be notified. Mastercard has free
information on
Scams and Flim-Flams at 1-800-999-5156. A watchdog group at www.fraud.org/internet/intset.htm
also
keeps track of several illegal money-making schemes.
The Better
Business Bureau advises caution when dealing with talent/modeling agencies.
See http://www.license.state.tx.us/databases.htm
for
Legitimate, Licensed Talent Agencies
in TX. Also see www.DoNotPay.org.
See http://www.ftc.gov/bcp/conline/pubs/services/model.ht
for information on modeling and talent scams. To search for the license of a Texas
Talent &/or Modeling Agency,
see http://www.license.state.tx.us/LicenseSearch/.
From Dan Eggleston, Austin, TX- ...Please remind everyone that it is
ILLEGAL to charge someone for audition information or to
obtain a booking...Companies like this one will tell you that they are charging you for
your "web presence." Don't fall for this!!!
From Ken Farmer's PAG Notes, 2/07- ...When you go in for an
audition, there is usually a slot on the sign-in sheet asking for your
social security number. Do not, I repeat, do not, that's NOT, N-O-T, write down
your social security number on that sheet!!!
By law, only your employer or a governmental agency has the right to see your
SS# and you aren't hired yet...
Warning from Dan Eggleston-
If you come across something like this, the odds are likely 100% that it's a
scam.
Here's their "pitch." You will have instant access to amazing casting calls
with parts that are right for you - parts you can
apply to right away so you can get started immediately. You will get your own
unique Talent Profile, including
photo, so I can find parts that are right for you, and others can spot your star
potential.
You will be eligible to participate in our Superstar Talent Search, where you
can win incredible prizes
like a personal consultation with a Casting Director. You can access this all on
the Web any time you
like or you can even choose to have parts sent to you! If you are ready to be
discovered, there is simply no
easier way to get started. And it is absolutely free. A credit card is required
to ascertain your interest,
and will never be charged unless you choose to continue the service beyond the
Absolutely Free
period. You have my Iron-Clad 100% Guarantee. As your virtual casting agent, I
am in a fantastic
position to help you launch a career in show business. What's better, I can do
it right now, Absolutely Free,
if you respond immediately by accepting my invitation here. 10/03/07
Summer of '07
As we are celebrating new incentives and
progress for Texas talent and moving toward higher professional standards,
I hope that those of us in performance industries and organizations will
continue to work at being positive,
constructive professionals, partners,
and collaborators.
Effective team players
inspire and
facilitate others to productively, use interpersonal, intrapersonal, and
public relational skills that include professional communication, which is
positive, constructive, and respectful. They empathize, "listen," and look
for common ground. They communicate verbally and nonverbally in positive and
constructive ways that inspire, facilitate, and support others to produce
maximum, positive collaborations, community, and results.
Effective team members
value others. They guide and promote high standards and expectations in
contexts of praise, encouragement, and mutual respect. As role models, they
lead by example. They guide by their lives and words. They are calm and
enthusiastic. They are intense but not tense, passionate but not impulsive.
They are expressive and articulate but not rudely blunt. They correct with
patience and gentleness. They facilitate functional people and
relationships. They know that healthy people, relationships, teams, and
community produce the most positive products.
See
http://www.dianehoward.com/Dr_Howard_Guidelines_Effective_Leadership_Communication_Onsite_Distance.htm
and
http://www.dianehoward.com/Dr_Howard_Guidelines_Effective_Interpersonal_Communication.htm
.
Warmest, Best Wishes,
Diane Howard
http://www.dianehoward.com
Texas Motion Picture Association, TXMPA.org
Film Industry
Resources
Texas
Resources for Employment in Arts and Entertainment Industries
Professional
Performance Network
Film Austin
Joe Connell's Blog
*A note to actors about casting directors, intensives,
auditions and audition workshops...
*Acting, ethics and proper etiquette of casting directors
by Donald Iarussi
Posted in AustinFilmCasting,
July 4, 2006
I am in Austin, Texas… here…
some casting agents local and some who come to town…audition
those who come to their casting workshops
and intensives. I have talked to many NYC Agents and L.A. agents who believe as
I do, that intensives are a … waste of
money. If any agent requires you to take their workshop or audition intensive or
workshop in order to audition for them…They are
being
unethical. Please subscribe to magazines like
http://www.backstage.com
either in paper or on line. Read the
articles and learn what you should and should not be doing.
If a casting agent will only see you if you take their class. They are being
unethical and practicing a form of payola. If you know of casting
directors that will not see you unless you take their workshop or intensive…Report
them to the producers who she works for on projects…
The TV Network executive, AFTRA Actors Equity and most importantly to
SAG, The Screen Actors Guild.
http://www.sag.org
…some casting agents are
charging fees to actors that want to be in their office casting files. The sales
pitch is that, if you are in the files,
you stand a better chance of being called in for auditions. The truth is that
the casting files themselves are a revenue stream for the casting
agents and have not much to do with casting. Anyway, the practice of charging
file fees is illegal and, sooner or later, it will be
challenged in court.
Staff attorneys for the California State Labor Commission say
that, when actors pay to be in a casting agent's photo
file, he is in effect
asking the casting agent to function like a talent agent. The hope is that the
casting agent will go out into the world and
find acting roles for the actor
to audition for. That's what agents do, and according to both of the legal
opinions I have read, this practice
makes fee-charging casting agents de
facto talent agents and puts them under the arm of the law. In California,
it is illegal for agents to
charge up front fees to actors. In other
words, even if a casting agent is calling himself a casting director, he may be
functioning like a
talent agent if he is charging file fees. If it walks
like a duck and quacks like a duck.....
My strong advice to new actors is
that your primary short-term goal be to build a resume, get some decent training
and gain experience.
Secondarily, get an agent. If you are having trouble
getting an agent, then you need to re-double your efforts, perhaps change your
appearance and market yourself differently. Whatever you do, it is not a viable
career strategy to stop pursuing agents on the premise that you
can cozy up
to casting directors who will have you in on auditions anyway. They may lead you
to believe that this strategy might work, but
it won't. The business does
not work like that. The casting directors will take
your money to be in their files and will still call talent
agents when
money-paying acting work is up for grabs.
When pursuing agents, put yourself in the agent's shoes and ask yourself how
you would make money on yourself if you walked in the door, picture
in hand.
Make certain that you are marketing yourself type-wise. Remember that most
agents make their money from commercials, so the best
thing you can do is
fit into a commercial category. Watch TV shows that are aimed at your
demographic age….Watch the commercials.
Those actors are your competition. Note how they dress, their energy, the way
they are presenting themselves. Then do the
same. When you get your photos
taken, try to fit into a viable commercial category so that agents know what to
do with you.
June 7, 2007
By
W. Gardner Selby
Scene: GOP Gov. Rick Perry stands on
the shady shore of pristine Lake Bastrop, a pine bough
dangling over his head.
He happily signs a
measure authorizing grants to companies making
movies, TV shows and finishing similar projects in
Texas. Many applaud.
CUT!
...Perry was joined by actor and
sometimes-Texas resident Dennis Quaid,
Democratic state Reps. Dawnna Dukes of Austin and Joe
Pickett of El Paso...
The event had a
hooray-for-Texas/Hollywood quality, with everyone
expressing hopes the approved film incentives — tallying
$20 million
up front that could be awarded to productions spending
considerable money on projects in Texas — will foster
creative results.
The big twist, proponents said, is
authorization in the state budget for the Texas Film
Commission to ask for more money from state leaders —
in the form of the Legislative Budget Board — so long as
it can show the additional funds will go to producers
that have already poured plenty of money into working in
Texas; essentially that could make the incentive fund
unlimited.
“I hope one day Texas will be the
creative capital of the world,” Perry said.
For now, he added, he’ll settle for recapturing film and
TV business lost lately to Louisiana.
Dukes, noting estimates that Texas has
lost hundreds of millions of dollars of productions to
states
offering tax credits to producers, said: “The days of
missed opportunities are finally over.”
Perry played down the significance of
lingo in the law stating Texas
“may deny an application because of inappropriate
content or content that portrays Texas or Texans in a
negative fashion.”
“There’s been a lot of misplaced
concern about the provision,” Perry said....
Don’t look for Ozzy Osbourne prancing around the Alamo, but otherwise,
it’s going to be lights, camera, action — many green
lights.
Quaid’s punch line: “I’m moving here
in 2 and a half years. And I would like this to be the
new Hollywood.”
June 6, 2007
Texas Film: Come Back, Shane. – Richard Whittaker
The Lege has tried to bring Hollywood back to Texas by pumping
$20 million in tax breaks into the
Texas Film Incentive Program. Approved but unfunded in 2005, the program was
intended to encourage
films to come here rather than states with similar incentives – hoping to recoup
the estimated 704 million dollars' worth
of productions and 4,500 jobs lost since 2003. But legislators also dealt with
another big barrier to
filmmakers choosing Lone Star State locations – Texas state government itself.
There has been no set rate for shooting
at a state agency, and some agencies were point-blank refusing to allow
filmmakers to shoot in their buildings or grounds.
HB 374, by Reps. Joe Pickett, D-El Paso, and David Swinford, R-Amarillo, means
film, TV, and commercial makers
could apply straight to the Texas Music, Film, Television, and Multimedia Office
for permission to shoot at any state-owned site.
The state agency responsible for the site will have final say on whether they
get to use it, but the film office gets to set the cost.
Filmmakers would have a clear pricing structure and only be charged for the days
they use the site,
removing any element of surprise.
http://www.austinchronicle.com/gyrobase/Issue/column?oid=oid%3A481974
May 28, 2007
Dear Supporters
and Members of TXMPA,
It was a late night photo-finish-to-the-end in the Capitol, but the
Appropriations Bill passed with the $22 million in funding for the film
incentive grants.
On Monday afternoon, May 28, 2007, the Speaker of the House and the Lt.
Governor signed the bill. The last step is to
have the Governor sign the bill. We do not anticipate a veto from the Governor.
He has been very supportive of this initiative.
We have a program and the money!
Thank you all very much for all your efforts. Together we accomplished the
nearly impossible task of creating legislation in Texas.
Our grass roots organizing and the wise counsel from HillCo Partners, our
lobbying firm, have produced an incentive program to keep
Texans working in our industry. Please give yourselves a standing ovation...
There is still lot of work to be done between now and the next legislative
session in January, 2009.
TXMPA will assist in marketing the new program and we need to monitor the
results of these grants.
We need to pursue an Economic Impact Study and examine other incentives to
consider. We have become THE voice for the industry in Texas at the Capitol.
We will continue to keep you posted through our Web site (http://www.txmpa.org/)
and we will continue to fight for you, the members of the industry in Texas.
And yes, we still need donations. Please consider making one today through our
Web site
(http://www.txmpa.org/)
or by mail (P.O. Box 40339, Austin, TX 78704)...
Hector Garcia
Texas Motion Picture Alliance, President
Austin Studios looks to the future
2/2/07
Houston Film Casting
Expect a new and improved Austin Studios by next summer. Much of the $5 million
that voters approved for upgrades to
soundproofing, air conditioning, and digital infrastructure will be spent on the
Austin Film Society facility that since 2000 has been
host to more than 40 feature films collectively worth about $800 million to the
local economy. "Seven years ago we had this idea,
and the city took a leap of faith with us," said director and AFS founder
Richard Linklater of the former Mueller Airport site last week.
"We realized it was needed as we competed with film industries around the
country. The partnership is
unique to Austin, and many of the films being made here are unique to Austin."
Improvements will focus on two hangars and
will add 100 tons of air-conditioning equipment to each. Austin Studios also
will take over a
Texas National Guard facility that AFS Executive Director Rebecca Campbell
envisions as a "hive of activity" with space for
low-budget editing and script-writing. "To invest in this will truly pay off for
the city in economic repercussions,"
said film producer Elizabeth Avellán, who, along with Robert Rodriguez, also was
key to Austin Studios'
creation. "This is not happening anywhere else, no matter how many incentives
they put down."
Contact Dr.
Howard
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